Built for heat and for visitors
High ceilings and old port windows carry the heat away. A low wall separates the gallery from the hot shop so visitors can watch safely from a few metres away.
Our furnace has burned without pause since 2014. Around it: three benches, a glory hole, an annealing oven and a lot of water buckets.

High ceilings and old port windows carry the heat away. A low wall separates the gallery from the hot shop so visitors can watch safely from a few metres away.
Holds 90 kg of clear glass at around 1,140 °C, recharged twice a week.
The reheating chamber where pieces return to stay workable.
Pieces cool slowly overnight to avoid stress cracks.
Three steel benches with rails for rolling the blowpipe.
Grinding, polishing and engraving after cooling.
Imported colour bars and frits, mixed in our own recipes.
The first gather of the day, while the street is still quiet.
Visitors watch the morning production run.
Larger and custom pieces in the afternoon.
Everything enters the oven to cool overnight.
“Glass tells you when it is ready. You learn to listen with your hands.”Lead glassblower
Trained in Murano and Seattle before opening the studio in Haifa.
LightingVessels and colour development.
VesselsRuns the workshops and the four-week course.
Teaching